Posts Tagged ‘Daniel Reynaud’

Fighting Mac

Tuesday, April 24, 2012

The Anzac hero who saved not took life

Associate Professor Daniel Reynaud
Dean
Faculty of Arts and Theology
Avondale College of Higher Education

Captain William McKenzie.

Ask Australians to name the most famous Anzac of World War I and most will probably answer, “Simpson, the man with the donkey.” While Simpson is a household name, the soldiers who fought in the war would give a different answer: Captain William McKenzie.

McKenzie served as chaplain of the 4th Battalion. An enthusiastic Christian minister who stood for evangelism and against booze, brothels and bad language, he might seem an unlikely candidate for most famous Anzac of the Great War. But in 1920, McKenzie’s popularity reached its zenith—it would take him more than three hours to reach Sydney Town Hall from his office on Goulburn Street, just three blocks away. People mobbed him just to shake his hand.

A Scottish-born Salvation Army officer, McKenzie’s tireless energy on the soldiers’ behalf earned their respect, while his charismatic personality won their love. He was a born leader with a tremendous sense of humour, a childlike innocence, integrity and constant cheerfulness.

In Cairo, McKenzie not only preached against the brothels but also went to the red-light district at night and literally dragged men out, putting them on a tram back to camp. He expected a knife in the ribs from the brothel owners for ruining their business.

On Gallipoli, McKenzie won the undying respect of the Anzacs. Like other chaplains, he conducted burial services, often under shell fire. But he went further, finding chocolates for each man, or cutting steps into a steep part of a track at night.

At the Battle of Lone Pine, McKenzie should have been in the rear trenches, but he followed the charge, carrying just a spade. He needed it: over the next few weeks, he sorted the living from the dead and buried 450 men. For his actions, McKenzie received the Military Cross.

McKenzie led something like 2000 to 3000 men to Christ during the war. This is what one of his letters, written in Egypt, records: “I realise the nearness of His presence and something of the sweetness and power of His great salvation. I confess that I cried myself to sleep last night or in the early hours of the morning after long meditation over the sacrifices and death of the Christ of God. This I think helped me to read the scriptures and preach the truth better at this morning’s parade . . . when for half an hour some 2000 of us there sang of the Cross and its meaning and pondered over the story once again.”

When McKenzie returned to Australia in 1918, thousands came to see him in every town and city he visited. In Sydney, his feet never touched the ground from the train to the town hall. In following years, at Anzac Day parades, his hand bleed from the sheer number of handshakes he gave.

Some have said the Anzacs were not religious. Perhaps, but McKenzie noted on Gallipoli that many showed an interest in God. He said: “Men realise as never before that the most manly thing to do is to worship and glorify God.”

More air time for Anzacs

Wednesday, April 18, 2012

Seven to screen academic’s TV episode

Brenton Stacey
Public relations officer
Avondale College of Higher Education
Cooranbong, New South Wales, Australia

The Seven Network in Australia will broadcast another Anzac Day-themed episode produced in part by an Avondale academic for a Christian television program.

Fighting Mac: the story of William McKenzie is a half-hour episode written for It Is Written Oceania by Associate Professor Daniel Reynaud, dean of the Faculty of Arts and Theology at Avondale College of Higher Education. It will screen on Seven’s digital channel 7TWO at 2.00 PM on April 25.

“Mac became the most famous Anzac by the end of the war,” says Daniel. He never carried a gun or fired a shot. “Through their selfless deeds and heroic ministering, the Anzac chaplains gained the respect and admiration of the soldiers—not by taking life, but by saving it.”

It Is Written will promote an offer of a free monograph written by Daniel and called Faith of the Anzacs during the broadcast of the episode.

Presenter Gary Kent and Daniel Reynaud on location at Gallipoli.

Daniel travelled to Gallipoli in western Turkey with the It Is Written crew to serve as the historical consultant and to appear on camera for each of six episodes. He wrote the episodes. Seven and its affiliates screened a compilation of the first two episodes—as an Angel Award-winning special, also called Faith of the Anzacs—on Anzac Day last year. In New South Wales and Queensland, this preceded the traditional Australian Rules Football match between Collingwood and Essendon. More than 1000 people—a record for It Is Written—requested Daniel’s monograph after viewing the special.

Daniel’s interest lies in the Anzac legend and its representation in early Australian films. He is the author of Celluloid Anzacs: The Great War Through Australian Cinema and The Hero of the Dardanelles and Other World War One Silent Dramas. The former served as the basis of a speech Daniel presented at the Shine of Remembrance in Melbourne last Wednesday (April 11).

Daniel’s work with the National Film and Sound Archive in the recovery and partial reconstruction of several silent films, including The Hero of the Dardanelles (1915), Australia’s first Gallipoli movie, also served him well during a panel discussion on the Australian Broadcasting Corporation’s RN Drive program the following day (April 12). Host Waleed Aly explored with Daniel and two other guests, one a University of Melbourne lecturer and the other the host of Radio National’s Movie Time, how and why our understanding of history is shaped by the movies.

 

Conviction strikes chord

Friday, April 1, 2011

Daniel Reynaud
Nothing Is Wasted, Brandstater Amphitheatre, March 23, 2011

Dell Lawrence
Assistant editor, Fine Arts Series
Avondale College of Higher Education
Cooranbong, New South Wales, Australia

Academic by day, artist by night: Daniel Reynaud at the launch of his album Nothing Is Wasted. Credit: Heath Bennett.

Daniel Reynaud is an academic by day—an associate professor, he is dean of the Faculty of Arts and Theology—and, at least at the launch of Nothing Is Wasted in the Brandstater Amphitheatre on March 23, an artist by night.

The album touches heavily on Daniel’s life experiences. “The songs come straight from recognising the things that don’t go right for me are the most helpful to me,” he said in his introduction. It is fitting then that the album title comes from knowing God works through mistakes and for that reason, no experiences, good or bad, are wasted.

As a performer, Daniel is laid back but engaging, humorous but contemplative. His songs are powerful, but it is not the delivery that makes them so. Rather, their power comes from Daniel’s conviction and sincerity. In the words of Beethoven, “The real artist has no pride.”

Daniel is an excellent wordsmith, often including in his lyrics puns and clever twists on well-known sayings to provoke thought within his listeners.

The launch of Nothing Is Wasted proved a fun, moving and spiritually enriching experience. It is difficult to balance entertainment with ministry, but Daniel accomplished exactly that.

Nothing Is Wasted, released on the Psalter Music label, is available for $20 from the Adventist Book Centre in Cooranbong. All profits from the sale go to Kidz4Him, a ministry of Rob and Sheree Moodie that cares for the thousands of children orphaned by the AIDS epidemic in Zambia.

Waste nothing: Songwriter sends message

Thursday, March 3, 2011

Lecturer’s new album an antidote to sweetness

Sonja Larsen
Editorial assistant, Connections
Avondale College
Cooranbong, New South Wales, Australia

If singer and songwriter Daniel Reynaud’s new album Nothing Is Wasted came with an advisory label, it would be, “Nothing artificial added.”

Daniel Reynaud

The review: Daniel brings a whimsical wit to his writing and adds a strong sense of personal and observed experience, which gives songs on Nothing Is Wasted an edge of honesty and humour. Credit: Heath Bennett.

Influenced by artists such as Michael Card, Paul Simon, Cat Stevens and John Michael Talbot, Daniel uses his songs to challenge, confront, inspire and refresh. “They’re an antidote to the sweetness of typical Christian music,” says Daniel.

Since first learning the guitar at age 16, Daniel’s concern has been to get past the pat phrases and common words whose familiarity often buries their original power. His goal: to find fresh ways of telling the truth. “I’ve found God in the things I’ve done poorly and in the things I’ve done well.”

Nothing Is Wasted

Daniel brings a whimsical wit to his writing and adds a strong sense of personal and observed experience, which gives songs on Nothing Is Wasted an edge of honesty and humour. For example, in “What You’re Like,” Daniel boldly reveals his feelings: “Jesus hold me tight tonight/ I’m feeling kind of fragile/ I know I muffed a lot of things today/ Made something of a fool of myself/ Didn’t cope too well/ And I need a hug to tell me its okay.” While other artists may hesitate to write in such a candid manner, it is one of Daniel’s strengths.

Even the design of the album cover plays on a clever use of words. On first look, the album title reads simply, “Nothing.” On second look, and at the correct angle, the words, “Is Wasted,” which appear in a gloss black on a matt black background, become visible. Like the cover, Daniel’s lyrics dare the listener to consider again what they know, or what they think they know.

Music is important to Daniel. It ranks up there with his relationship with God, his relationship with his family and with his work—Daniel is dean of the Faculty of Arts and Theology at Avondale College of Higher Education whose interest lies in the Anzac legend and its representation in early Australian films.

Kidz4Him

This is also important: all profits from Daniel’s album will support Kidz4Him, a ministry of two friends who, Daniel says, “decided to take God seriously.” “They grew tired of living in our affluent society while ignoring pain elsewhere, so they sold everything to care for the thousands of children orphaned by the AIDS epidemic in Zambia. Many of their friends said they were crazy, and they are, crazy about doing what God has asked them to do.” Daniel admires Rob Moodie and wife Sheree’s spiritual integrity and trust in God and wants to honour their work. “Their faith and courage inspire me.”

Daniel will launch Nothing Is Wasted in the Brandstater Amphitheatre at Avondale from 7.30 PM on Wednesday, March 23.

The launch is part of the first Manifest Creative Arts Festival, coordinated by the Seventh-day Adventist Church in the South Pacific through Adventist Media Network and Avondale. Visit www.artsmanifest.info/ for more information.

Nothing Is Wasted, released on the Psalter Music label, is available for $20 from the Adventist Book Centre in Cooranbong.

Teen brings gravitas to ambitious staging

Wednesday, September 1, 2010

Review: Son of Jesse

Brenton Stacey
Public relations officer
Cooranbong, New South Wales, Australia

Seventeen-year-old Justin Watson showed confidence and maturity in his acting and singing, bringing gravitas to the leading role in Son of Jesse. Credit: Ann Stafford.

Avondale College senior music lecturer Dr Robb Dennis and alumni Andrew Taylor, making his directorial debut, and Kristin Thiele deserve credit for their successful staging of Son of Jesse. With both writers of the musical—Adrian Bell and Associate Professor Daniel Reynaud, dean of the Faculty of Arts at Avondale—in the large audience for the Australian premiere, the producer and his drama directors must have felt added pressure.

Son of Jesse is Associate Professor Daniel Reynaud and former colleague Adrian Bell’s re-telling of the story of David. Daniel, dean of the Faculty of Arts, and Adrian wrote the musical in 1981 before revising it in 1983. The anachronisms in this version—a TV newsreader as narrator (Adventist Media Network’s David Gibbons), two psychiatrists discussing King Saul’s health (Eldon Rosenberg and Daniel Laredo), a hip-hop-styled Absalom talking on his mobile phone (Raul Moran) and a boxing gloved-clad Goliath (Robb Dennis)—brought humour to the story. Avondale staff members and students played most of the roles. Their acting skills: solid.

Technical problems—particularly with microphones—and the ambitious bringing-to-life of the whole story of David meant the musical lacked a dramatic arc. The strongest scene—The Ark—featured the two best actors. The argument between David (17-year-old Justin Watson) and his wife Michal (Vivienne Calwell) spilled out into the congregation, further exposing the human frailties of the characters. Justin showed confidence and maturity in his acting and singing, bringing gravitas to the leading role.

Andrew and Kristin made clever use of Avondale College Seventh-day Adventist Church, particularly the brick bays in the balcony as the setting for many of David’s speeches.

Avondale Chamber Orchestra provided seamless backing for Avondale Singers. The chorus’s final, triumphant “Jesus!” still rings in my ears.