Posts Tagged ‘Fine Arts Series’

Minor key

Thursday, May 10, 2012

Hinsdale Men’s Chorus
Avondale College Seventh-day Adventist Church, May 5, 2012

Dell Lawrence
Master of Arts (Research) student
Avondale College of Higher Education

Hinsdale Men’s Chorus. Credit: Lagani Gairo.

Hinsdale Men’s Chorus travelled from Chicago, USA, for its tour of Australia. Considering distanced travelled, expectations were high.

But the delivery lacked passion and a difference in dynamics—perhaps understandable; half the ensemble felt ill.

The audience enjoyed the songs, though, even applauding after one. I found the “Hallelujahs” of “Majesty and Glory” uplifting. The key? Conviction.

 

Variety hour

Thursday, March 15, 2012

Evensong
Brandstater Amphitheatre, March 10, 2012

Brenton Stacey
Public relations officer
Avondale College of Higher Education
Cooranbong, New South Wales, Australia

The year’s first Evensong had a touch of variety hour about it—four artists and a few rough edges.

The Promise performs “Prayer of the Children” at Evensong. The song is a tribute to children of the Bosnian War. Andrea Kuburic (centre) is one of those children. Credit: Brenton Stacey.

The Promise headlined, although the vocal ensemble’s opening set lacked punch—partly because of the venue and a soft sound mix.

Serimelor Hoffman’s performance—accompanied by Vanessa Lynch on flute, Tim Turner on piano and Justin Watson on acoustic guitar—of “Jesus Lover Of My Soul:” solid.

And credit to Justin and Tim for performing their own song and recovering quickly from a “lyric malfunction.”

Associate Professor Daniel Reynaud, dean of the Faculty of Arts and Theology, contributed two items, one his own. The blend of voices—joining Daniel were wife Emi and niece Breane Grange—on John Michael Talbot’s “Magnificat (Holy Is His Name):” seamless.

The highlight: The Promise’s “Prayer of the Children.” The song, a tribute to children of the Bosnian War, is moving, all the more so when introduced by one of those children—assistant director and mezzo soprano Andrea Kuburic.

Creative delights

Friday, December 2, 2011

Students honoured at annual art exhibition

Brenton Stacey
Public relations officer
Avondale College of Higher Education
Cooranbong, New South Wales, Australia

She calls it The Garden of Creative Delights, a large painting representing the creative journey of visual communication major Kayla Wolf. The reality of this “parallel world of my own invention:” it helped Kayla win two awards at the launch of Creative Collective—the annual exhibition by final-year visual arts and visual communication students—this past Thursday (November 24).

Kayla received the Avondale Visual Arts Excellence Award ($150) and the Signs Publishing Company Design and Design Practice Excellence Award ($1000).

The work of other exhibiting students appears below.

The Garden of Creative Delights by Kayla Wolf. Credit: Ann Stafford.

These photographs of Rhianon Bougaardt formed part of her multimedia Ante Meridian exhibition. Credit: Ann Stafford.

Chris Rampton’s love of light painting grew from a photography assessment task into an exhibition called Ignite. Credit: Ann Stafford.

Anne Little won the Avondale Visual Arts Acquisitive Award for her TEA exhibition. Credit: Ann Stafford.

Jasmine Flamenco’s installation challenges preconceptions about knitting. Credit: Ann Stafford.

The rusting process will ensure pieces in Jerad Kew’s Analog/Analogue exhibition continue to change. Credit: Ann Stafford.

Tegan Little’s Take A Moment exhibition emphasises beauty and encourages the appreciation of that beauty. Credit: Ann Stafford.

Master at work

Wednesday, November 9, 2011

Messiah conductor impressed with Avondale music ensembles

Brenton Stacey
Public relations officer
Avondale College of Higher Education
Cooranbong, New South Wales, Australia

Avondale Chamber Orchestra and Avondale Singers’ performance of Handel’s Messiah (Avondale College Seventh-day Adventist Church, November 5) has won praise from The Conservatorium in Newcastle.

Dr Philip Matthias conducts the Avondale Chamber Orchestra and Avondale Singers. Credit: Ann Stafford.

Guest conductor Dr Philip Matthias speaks highly of the camaraderie between the musicians. “This is not to be taken for granted,” he writes in a message to members of the ensembles. “The fact that the performers are ready and willing to work hard for excellent musical results but also have true belief in the message of the music—now that is what makes for a compelling performance.”

The Master Works concert, part of Avondale’s Fine Arts Series, featured solos from students Vivienne Calwell (alto), Daniel Laredo (bass), Dell Lawrence (tenor) and Jackie Ward (soprano). It concluded with the “Hallelujah Chorus,” after which members of the audience paused in reflection before giving a standing ovation.

Philip, director of church music studies at The Conservatorium and conductor of The University of Newcastle Chamber Choir, had only three rehearsals with the ensembles—former senior music lecturer Dr Robb Dennis had prepared much of the performance. He thanks the members “for taking me in so readily” and “for being flexible enough to accommodate any suggestions. . . .

“Heartfelt thanks for giving me a glimpse of your great community, spirituality and music making.”—with Daniel Laredo, public relations assistant, Avondale College of Higher Education

 

Practiced, polished

Thursday, September 8, 2011

The Promise
Evensong
Brandstater Amphitheatre, September 3, 2011

Brenton Stacey
Public relations officer
Avondale College of Higher Education
Cooranbong, New South Wales, Australia

The Promise at Evensong proved the practice-makes-perfect adage is true. With 28 performances this year, and a tour to the United States, the vocal ensemble is polished, even in an outdoor venue—Brandstater Amphitheatre hosting its first Evensong.

On song: The Promise in the Brandstater Amphitheatre. Credit: Ann Stafford.

Each part is distinguishable, even in the quieter pieces—the songs “Prayer of the Children” and “Balm in Gilead” serving as examples. The overall sound is balanced, though.

The jazz arrangements of “Amazing Grace” and “Abide With Me” provide points of difference, as do sopranos Jackie Ward and Vivienne Calwell in “Pie Jesu.” “Joshua” seems an ensemble favourite.

The Promise looks the part in its new uniforms and confident presentation. Its sound? Just as good.