Archive for the ‘Commentary’ Category

Validation, finally

Thursday, April 4, 2013

Manifest: Our Call to Faithful Creativity

Associate Professor Daniel Reynaud
Dean, Faculty of Arts and Theology
Avondale College of Higher Education

I’ve lived most of my life alongside creative people who wished to use their gifts to express their faith. However, gifted creatives and organised religion often clash. I’ve longed for something that could foster creative faith and faithful creativity.

Manifest: Our Call to Faithful Creativity fulfils my wish, and then some. It begins with some philosophical foundation to faithful creativity. Chapters such as Trudy Morgan-Cole’s “Of truth and good stories” and Bruce Manners’s “When it doesn’t make sense” are pure gold in a utilitarian Seventh-day Adventist Church culture that struggles to recognise the value of art.

Then the book gives wonderful examples of what faithful creativity can look like. Joanna Darby’s “Carried on His breath,” Ryan Bell’s “Room for the Spirit to blow through,” Kyle Portbury’s “Reach out and collaborate with somebody” and Robert Wolfgramm’s “To stir as we have been stirred” all give flesh to the framework, with living examples.

But what really delights me is the imaginative breadth in this book. Chapters on creativity and science (Lachlan Rogers) and on the marketplace (Gary Krause), chapters for the non-creative church leader (Glenn Townend) and in raising children (Kylie Stacey) are examples of expanding the vision beyond the predictable scope of the creative arts. People of real creativity have breathed this book to life.

Manifest fills a hole that has long existed in the Adventist Church. The word, “manifest,” means to show, to prove, and Manifest shows and validates the place of creativity in the life of faith.

Manifest: Our Call to Faithful Creativity (Signs Publishing Company) is available at Adventist Book Centres or from hopeshop.com for $24.95.

Correspondence

Thursday, March 28, 2013

Brenton Stacey: Roaring lambs

I dislike the phrase, “roaring lambs” (“Roaring lambs,” Connections Vol 25 No 17)—lions were made to roar, lambs were made to bleat. For a lamb to roar is a noise against nature, compared to which cacophonous rock music is soothing poetry. I think the metaphor is a poor one.

Nevertheless, we are made to be salt and light, and the principle Bob [Briner, author of Roaring Lambs] espouses is one I fully endorse. Indeed, we are made to sting, tickle and illumine where we are and who we meet.

Thank you for reminding us.

Grenville Rume
wp.avondale.edu.au/manifest
Reply

The creative life

Wednesday, March 13, 2013

A call to live as the greatest work of art

Nathan Brown
Book editor
Signs Publishing Company

This painting by co-convenor Joanna Darby graces the cover of Manifest: Our Call to Faithful Creativity.

In Art and the Bible, creative Christian thinker Francis Schaeffer put it like this: “No work of art is more important than the Christian’s own life, and every Christian is called upon to be an artist in this sense. He may have no gift of writing. No gift of composing or singing, but each man has the gift of creativity in terms of how he lives his life. In this sense, the Christian’s life is to be a thing of truth and also a thing of beauty in the midst of a lost and despairing world.”

It’s a reminder that we are called not just to doing creative things but to live creative lives, focused on the most important values, including truth and beauty. However, we cannot and should not try to deny that we live in a “lost and despairing world.” So much around us is broken. So many people are hurt. Violence and power grab the headlines. The problems and tragedies seem overwhelming. We can succumb to compassion fatigue and the paralysis of repeated pain. We are tempted to despair.

Paul responds: “Don’t let evil conquer you, but conquer evil by doing good” (Romans 12:21, NLT). This is a call to faithful creativity and imagination.

Art in all its forms can confront the brokenness and despair around us and within us, as well as creating beauty as an act of profound resistance and hope in the face of seeming hopelessness. We reject the voices that tell us what we see and feel are all there is and all that can be. Instead, we offer alternative and hopeful acts of imagination that begin to transform the world around us today, as well as pointing to our ultimate hopes about what our world will be and how our Creator will re-create.

And this is not only about art but about the faithful art of living well. We resist despair in our choices, actions, engagement, love and creativity, always seeking to overcome evil by doing good, by creating beauty, by practising hope.

This call to live our lives as our greatest work of art is daunting—until we recognise that even this work is one of collaboration with the Great Artist: “For we are God’s masterpiece. He has created us anew in Christ Jesus, so we can do the good things he planned for us long ago” (Ephesians 2:10, NLT).

The art of our lives is primarily God’s work, made possible by our collaboration with Him. Our best lives, our best creativity, are based on the grace, hope and love He offers us. The most profound truth and beauty we can imagine are found in His acts of creativity and re-creativity. Our invitation—and our most significant creative act—is to choose collaboration with the kingdom-building creativity of God in our lives and in our world.

Remarkably, our creativity is one of the ways He is at work in our world. Our most authentic and faithful creativity—in all its forms: life, relationships, good works, art, imagination and so much more—spring from our Creator, as do we ourselves, as His masterpieces of creativity. And when we acknowledge this inspiration and this source, the self-portraits our lives create become less about ourselves and more about Him, offered as creative acts of worship.

Adapted from Manifest: Our Call to Faithful Creativity, which editors Nathan Brown and Joanna Darby will launch at Manifest 2013.

Faithful creativity

Wednesday, March 13, 2013

A Manifest manifesto

Brenton Stacey
Co-convenor
Manifest Creative Arts Festival

Faithful creativity is missing from our culture and, largely, from our church. It seems the choice has either been to be faithful (in the church) or to be creative (in the world). The Manifest Creative Arts Festival aims to present a third choice: to explore, encourage and celebrate faithful creativity.

Perhaps we have ourselves to blame for the lack of faithful creativity. William Romanowski, author of Pop Culture Wars, writes about how Christians typically appropriate, condemn or consume culture. Our true calling, he says: to transform culture.

The influence of the mass media on popular culture means artists are best placed to meet this challenge.

Manifest seeks to create a community of artists who share a common belief: that churches should foster creativity and become centres for creativity and creative influence in our communities.

We recognise a common belief is meaningless, though, unless it influences behaviour. In Flickering Pixels, Shane Hipps writes about how technology shapes your faith. He also asks: “How does your faith actually manifest in this world to bring about justice, altruism, compassion, and peace?”

To answer this question, we must acknowledge the fallenness of our world and the brokenness of our lives. Wisdom calls us to seek redemption, to act justly and to love mercy. Faithfulness calls us to share these truths in partnership with our Creator and Re-Creator.

Manifest may challenge some of your perceptions and attitudes. It will help you better appreciate beauty. It will inspire you. But it will not act for you. Our call to faithful creativity must become your call.

Manifest welcomes you to our community. Join us in print, in person or online.

Lessons from the HiLux

Wednesday, March 6, 2013

How Grandpa and his ute shaped my view of grace


Jodie Barnes

President
Avondale Students’ Association

When I was 13, I had the privilege of driving Grandpa’s new Toyota HiLux around the back paddocks of his property in Queensland. Mid-afternoon each day, I’d drive slowly along the perimeter of each paddock, while Grandpa, in the passenger seat, would check his cattle, noting paddocks to be checked again the next day. We’d stop every few paddocks and check the water troughs, topping up any that were empty.

On one afternoon, after noticing an empty looking trough, I parked the ute close to the gate of the paddock while Grandpa filled the trough. Getting back into the ute, ready to move from one paddock to the next, I started the engine and bunny hopped into the wooden fence post adjoining the gate. This crumpled the front left of the ute. Because I was underage, damage to the ute could not be claimed on insurance, leaving a hefty repair cost. I was distraught. I had no way of paying for the damage.

After sulking for a few days, trying to think of creative ways to pay for the damage, Grandpa approached me. He said he would pay for it all. He didn’t want anything from me. Instead, he asked that when given the opportunity, I pay forward his kindness and grace.

His kindness has shaped my view of grace. Even though I didn’t deserve Grandpa’s gift and had no way of paying him back, he gave freely to me out of unconditional love.

God’s grace is like Grandpa’s. “This is how much God loved the world: He gave his Son, his one and only Son. And this is why: so that no one need be destroyed; by believing in him, anyone can have a whole and lasting life (John 3:16, The Message).

What an incredible gift.