Prize winning songs recorded at Psalter Studios, Sydney

August 4, 2014 by Brenton Stacey

Jayneen Orwa, winner of the Psalter Music Prize at this year’s Manifest, has decided to take Psalter Studios up on their alternative prize offer.

 

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Jayneen Orwa in Psalter Studios, Sydney, July 1-3, 2014.

 

This is the first time Psalter Studios have offered a choice between the $1000 prize money and three days in the studio, the latter is of course much more valuable. Dale Willis, Psalter Music Prize judge and Psalter Studios manager and producer/engineer reflects on listening to Orwa’s prize entries, “We wanted to give her the option of having her songs professionally recorded because I felt they really deserved and needed that presentation. It helps give opportunity for young artists such as Jayneen to come in and ‘test the waters’ at Psalter Studios, with the hope they may return at some point as their song writing and careers develop.”

 

Little Bird, Jayneen’s prize-winning piece, was recorded first. A little bass, piano, light percussion and rhythm were added to the fragile melody. “I was initially quite hesitant to change up this song, but we ended up adding a lot to it and I’m really happy with how it turned out.” Having only performed it with one guitar and her voice, the additional accompaniment creates a rounder song, underpinning the lightness and delicacy of Jayneen’s message. “What struck me most,” says Dale, “is her consistency to deliver excellent vocals, take after take.”

 

When discussing weather or not to add light percussion to Little Bird, Dale found that he had misplaced his egg shaker. “None of us had one or knew where to find one at such short notice,” says Jayneen, “Somebody jokingly suggested we use and actual saltshaker, and at first we all laughed at the idea, but upon hearing the final recording we all agreed that a shaker would definitely add another layer to the song. So we tried salt and sugarella – and they worked! I think a combination of the two was used in the final mix. We literally added a bit of seasoning to the song.”

 

The next song, entitled You’re Special, was a delight to record. Jayneen took the opportunity to explore and add more, changing from guitar to ukulele and added bass riffs and rhythm, “to bring out the joy a little more.” This song was also entered into the Manifest Psalter Music competition, and Dale had much difficulty deciding which song should win. “Both songs have equal merits in different areas,” says Dale.

 

“The end result is a song that I feel really embodies the lyrical message. You’re Special is a celebration, it’s a reminder of the value that God sees in us – His creation – and the awesome love He has for us all. If that realisation doesn’t make you want to get up and rejoice, I don’t know what will!” says Jayneen.

 

Tapestry is the last song recorded, unheard at Manifest, and according to Jayneen, was a great success in the recording studio. “It was recorded in one take! We didn’t add any other instruments to Tapestry; it’s just one voice and guitar. It came out with such a clear and simple sound that we decided to just leave it the way it is.” When she listened to the finalised recording, she felt deeply moved by the message of the song.

 

The first to the third of July marks Jayneen’s first experience in a professional studio setting, and despite her previous inexperience Dale says, “She handled herself like a seasoned pro in the studio. Her music is obviously spiritually driven with a strong message of God’s love. She has a way of delivering her message that feels fresh, very personable and intimate, it really draws the listener in, I think.”

 

“I absolutely loved the experience,” says Jayneen, “It was definitely a steep learning curve, I was able to grow so much in such a short time, and for that I am beyond grateful. We laughed, we prayed, we created, we experimented, we brainstormed, we drank herbal tea (perpetually), and most importantly, we made a joyful noise unto the Lord.”

 

The three songs are under consideration to become an EP. Jayneen’s songs should be released in the coming weeks, so keep an ear to the ground – or an open tab on the Psalter Music web-site, www.psaltermusic.com – to support and share Jayneen and her message of God’s love and joy to the world.

Snapper takes us inside his head and camera

July 25, 2014 by Brenton Stacey
God Is Able

Karl Lindsay won the Avondale Fine Arts Photography Competition at Manifest this year with this photograph.

Karl Lindsay took this Manifest Creative Arts Festival-winning photograph in the Eastern Province capital of Mambwe, Zambia, in 2013.

Judge Aaron Bellette, a lecturer in photo media at Avondale College of Higher Education, described God Is Able as having “layers of meanings and elements for the viewer to explore.”

So, what’s the story behind the photograph?

“I first saw the shop the day before shooting the photograph,” says Karl, who entered the Avondale Fine Arts Photography competition at Manifest this year. “I thought, That would look awesome under a starry night sky.”

Fortunately, starry night skies are common in Zambia and Karl got his shot.

“It makes the perfect statement,” he says.

Karl used a Nikon D600 with a 14-millimetre lens and a 30-second exposure to capture the stars and the Milky Way.—Brenton Stacey, co-convenor, Manifest Creative Arts Festival

Faithful Creativity through Art Journalling

October 31, 2014 by Brenton Stacey

When Rochelle Melville began art journalling as a creative outlet – she simply enjoyed some ‘me time’ with a healthy stash of art supplies. Little did she imagine that God had bigger plans for sharing this hobby with others, utilising her natural creativity and people-skills.

Last month, Rochelle co-ordinated a 5-day workshop with more than 20 attendees at South Queensland SDA Camp Meeting held at Watson Park, north of Brisbane. “I had to turn away about 5 people each day because we didn’t have enough supplies or seats”, she said. “What was most special about these classes was the daily show-and-tell time where someone would share a piece of their work and the personal meaning behind it. Those times truly edified God and touched many of us deeply”

[Image: Wes Tolhurst]

[Image: Wes Tolhurst]

Art journalling emphasises shapes and colours using simple tools such as stencils, printouts and stamping to create a mixed-media piece around a theme. During the early days of this new practice at home, Rochelle experienced a lightbulb moment when she realised the inner dialogues which coincided with her artwork were often spiritual.

I was worshipping with paint, ink and paper. Since then, art journalling has intensified my God time. Now when i connect with God through prayer and Bible study, I take a next step; I use something from my devotional time such as the topic, lyrics, a verse or even a single word and write about it in colours, shapes and words. I journal my response to God, my questions and sometimes my inner thoughts. I use art journalling to celebrate and as an invitation to go deeply with the Spirit and apply it to myself personally.”

Rochelle specifically tailored the classes at SQ Camp for beginners, and once they got past the initial hesitation of something new, her students blossomed.

Your workshop took me to a creative space I had buried for a long time. It was emotional, uplifting, and totally soul enriching to give myself to god through colours and textures. I felt like I could abandon the rules and just swirl paint here, dab glue there and then 2 hours later pull myself back to look with total surprise at the art that somehow belonged to me. Since then I haven’t stopped exploring, using my newly rediscovered love of art.” – Carly, Gold Coast

artj

[Image: Rochelle Melville]

Rochelle believes the practice of art journalling celebrates Faithful Creativity because “… it recognises each person has unique, God-given spiritual pathways they use to connect with Him. Using the fullness of our gifted creativity to personally explore spiritual themes is authentic worship – connecting with Him in the way we are wired“.

Rochelle is passionate about her faith and as a result of running these classes, she has felt a deep calling to continue this ministry for God. If you would like to know more about Rochelle’s practice and join her on-line community – visit her Art Journalling Facebook page or email her directly at [email protected]

All-new Gabe Reynaud Awards

March 14, 2014 by Brenton Stacey

Change of style to emphasise the “faithful” of faithful creativity

Gabe Reynaud

The Gabe Reynaud Awards have been re-imagined in this the fourth year of the Manifest Creative Arts Festival.

The ceremony, newly tagged as “a celebration of faithful creativity,” moves from the evening to 3.30 in the afternoon on the Saturday of the festival program (March 22).

“We want to make this more community-building and spiritually-focused,” explains festival co-convener Brenton Stacey. “We still plan to celebrate and affirm the faithful creativity of prize winners and the Gabe Reynaud Award recipient but we will do this in a different style.”

The celebration will include reflections, musical performances and sharing in the prize-winning works, as well as the presentation of prizes and the Gabe Reynaud Award, the festival’s most prestigious award, recognising an individual or group’s excellence in faithful creativity.

“The afternoon time-slot makes it less about dressing up and putting on a show and more about sharing in the best of Manifest creativity, affirming each other and acknowledging God as the ultimate source of our creativity,” says Brenton.

The Gabe Reynaud Awards: A celebration of faithful creativity invites anyone interested in the best of faithful creativity to be part of this event. “It’s not restricted to festival pass holders or competition entrants,” adds Brenton. “Like a number of the Manifest events, this is open to anyone and everyone and promises to be a highlight of this year’s festival.”

Gabe Reynaud Awards: A celebration of faithful creativity, Ladies Chapel, Avondale College of Higher Education (Lake Macquarie campus), Saturday, March 22, 3.30 pm. Book signings with Becky De Oliveria and Kylie Stacey and drinks in foyer from 3 pm. Dress: Semi-formal.

Well-told story brings 
joy, sorrow and hope

March 6, 2014 by Brenton Stacey

Hell and Mr Fudge

Nathan Brown
Co-convenor
Manifest Creative Arts Festival

What we believe matters. How we believe matters. And stories matter.

Hell and Mr FudgeI was reminded of these truths while watching Hell and Mr Fudge in the company of Dr Edward Fudge, the “Mr Fudge” of the film’s title. He introduced the story of this part of his life by telling us he had seen the film 16 times—as well as being closely involved in its development and having a cameo role—and has been moved to tears at a different place in the story each time. That’s why stories matter. They move us—and “based on a true story” stories can draw us into the lived experienced on another person, another family, another church.

This is why this story told in film is so valuable. The experience of a young man and burgeoning theologian is not merely about doctrine, it’s a story of why what we believe matters to our lives and our faith.

Edward’s particular focus came after a challenge from an evangelist who offered to pay him to research what the Bible says about the traditional belief in eternal torment in hell for those who do not accept God. As the film portrays, this was a question that had troubled Edward through life experience and this commission sparked a period of intense research and personal wrestling.

Set in Alabama in the 1950s to 1970s—and the period has been carefully re-created, filmed in many of the locations in which the stories actually happened—the drama comes with the reactions of church members and critics to the questions he raises about aspects of faith and some of the conclusions his research leads him toward. Ultimately, Edward’s research was published in the 500-page book The Fire that Consumes in 1982.

Described as theology “lite,” Hell and Mr Fudge might be better labelled a theological drama, perhaps an under-appreciated and under-populated genre in the history of film. It is first—and had to be when presented in this format—a human drama. As such, the film works to raise questions more than drawing out answers. But the best discussions start with questions, not answers. This is the strength of this story and the way it has been told.

Hell and Mr Fudge urges that we should not be afraid of new ideas, we should be prepared to learn and be led into a greater understanding of the Bible and what it teaches, and to stand up for what is truth even in the face of tradition, opposition and criticism. This is often not an easy journey—as evidenced by the tears re-visiting the story brings to Edward even today. Following truth brings its joys and its sorrows—but we have to trust that it also brings hope, whatever our circumstances or difficulties.

Such is the value of a true, well-told story of someone who did.

Hell and Mr Fudge, presented by Manifest Creative Arts Festival and Adventist Book Centres. Australian premiere screenings:

Melbourne
March 15, 2014, 6 pm and 8.30 pm, Lilydale Seventh-day Adventist Church, Freewill offering

Sydney
March 19, 2014, 7 pm, Fox Valley Seventh-day Adventist Community Church, Freewill offering

Cooranbong
March 20, 2014, 8.30 pm, Ladies Chapel, Avondale College of Higher Education, $10 (Avondale Online Store or at door) or free with Manifest Festival Pass

Brisbane
March 22, 2014, 7 pm, Springwood Seventh-day Adventist Church, Freewill offering

Anna sings for 25000spins

February 7, 2014 by Brenton Stacey

Fundraising concert a simple joy

Georgina Hobson
Assistant convenor
Manifest Creative Arts Festival
Nambour, Queensland, Australia

Anna Beaden 25000spins

Anna Beaden’s concert raised money for a bicycle challenge that raises money to help reduce global poverty.
Credit: Ben Beaden.

Not simply an event to share her musical gifts, Manifest alumna Anna Beaden’s concert on the Sunshine Coast, February 1, had a notable purpose: to raise awareness and funds for her family’s team in The Great Ocean Road Challenge.

Anna’s soulful voice and accomplished piano—she received the Young Achiever Prize at Manifest in 2012—were accompanied by a host of talented family and friends. Her natural humour and relaxed approach to performing created a fun and memorable evening. Collaborations featured local and interstate artists including Jane Beaden, Sammy Hoye, Zoe Romero, Kate Strachan and Courtney Tyler with a variety of vocals, guitar, ukelele and piano.

Standout songs included a re-interpretation of “I Can’t Make You Love Me” with arrangements by fellow Avondale College of Higher Education student Simon Tagaloa, the JJ Heller song “Only Love Remains” and “Pay Stub” by Scott Kabel, which is included on Anna’s EP Simple Joys.

This Sunday, February 9, Anna and three of her family members, David, Ben and Rachel, otherwise known as TeamB, begin The Great Ocean Road Challenge in Geelong, Victoria, riding over three days to their final destination of Warrnambool. Anna used the concert to contribute to fundraise and to raise awareness of 25000spins—entrepreneur Craig Shipton’s campaign supports efforts to reduce global poverty. Concertgoers had opportunity to purchase Anna’s EP and other items or to make a donation to the charities nominated by the individual riders.

The miracle of art

January 2, 2014 by Brenton Stacey

A call for Adventist artists to stay the course

Dr Robert Wolfgramm

Wolfgramm, Robert 75 pxIf a miracle is a surprising, unique event, the truth of which causes us to wonder, and whose effect is permanent, positive change, then every work of art is a miracle.

What surprises us about miracles and causes us to wonder is summarised in the attitude of those who asked 2000 years ago, “Can anything good come from Nazareth?” (John 1:46, NLT). No one expected anything from Nazareth because Nazareth is us. The question is really asking, “Can our humanity produce anything worthwhile, something true, something that causes us to wonder, something with permanently positive consequences?”

And the surprising answer is, “Yes.”

We—Nazareth—have produced one, and only one, surprising, unique, wonderful truth-event in history. The miracle that is Jesus Christ came from us—as much as from heaven. He is the Son of Man as much as He is the Son of God. And every work of art that came before and comes after Him is a miracle, too—a dull reflection of that Work of Art, yes, but one that, like John the Baptist, “testif[ies] to the truth” (John 18:37, NLT) in its uniqueness, its wonder and its positive impact.

The truth of God may be found in biology, chemistry, geology, mathematics, physics, psychology and sociology. It may also be found in a cantata, a cartoon, a colour, a film, a play, a poem and a shape. Whatever the medium, the artist is called to represent truth because “His word burns in my heart like a fire” (Jeremiah 20:9, NLT) and we cannot hold it back.

My advice to my fellow Seventh-day Adventist artists: stay the course. Your art is always prophetic. It teaches us something by posing an unexpected vision from the unknown world of your imagination. “Now I will prophesy again,” says Isaiah. “I will tell you the future before it happens.”

That holds true for miracles, and for art.

Robert received the Gabe Reynaud Award at the Manifest Creative Arts Festival in 2012.

Pioneering album still provocative

December 27, 2013 by Brenton Stacey

Refugee

Robert Wolfgramm

Sara Thompson

Refugee 75 pxRemember the birth of contemporary Christian music in the 1970s? Neither do I. That was—dare I say it—decades before my time and CCM is now an industry that has changed dramatically in the years since. Or so I thought, until I listened to Robert Wolfgramm’s Refugee, remastered and re-released by Psalter Music.

The 11 songs on Refugee are an intriguing mix of blues, folk and rock, merged with gospel-based lyrics. The songs are iconic of the time, and like the rest of Bob’s music, the album is well loved and well produced.

From the catchy title track to the last strains of “Bring Back the Good News,” it’s clear why Refugee is a pioneering album. But what I found most surprising is just how relevant it still is—36 years later. This album is far more than just electric guitar riffs and talented keyboarding.

“Good Samaritans” likens the people around us to refugees drowning in our indifference and asks whether we’re doing “far too little, much too late.” Thought-provoking lyrics such as this make Refugee an album worthy of listening . . . again.

Sara graduated with distinction from Avondale College of Higher Education’s Bachelor of Arts degree in 2013.