Archive for the ‘Features’ Category

Prize winning songs recorded at Psalter Studios, Sydney

Monday, August 4, 2014

Jayneen Orwa, winner of the Psalter Music Prize at this year’s Manifest, has decided to take Psalter Studios up on their alternative prize offer.

 

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Jayneen Orwa in Psalter Studios, Sydney, July 1-3, 2014.

 

This is the first time Psalter Studios have offered a choice between the $1000 prize money and three days in the studio, the latter is of course much more valuable. Dale Willis, Psalter Music Prize judge and Psalter Studios manager and producer/engineer reflects on listening to Orwa’s prize entries, “We wanted to give her the option of having her songs professionally recorded because I felt they really deserved and needed that presentation. It helps give opportunity for young artists such as Jayneen to come in and ‘test the waters’ at Psalter Studios, with the hope they may return at some point as their song writing and careers develop.”

 

Little Bird, Jayneen’s prize-winning piece, was recorded first. A little bass, piano, light percussion and rhythm were added to the fragile melody. “I was initially quite hesitant to change up this song, but we ended up adding a lot to it and I’m really happy with how it turned out.” Having only performed it with one guitar and her voice, the additional accompaniment creates a rounder song, underpinning the lightness and delicacy of Jayneen’s message. “What struck me most,” says Dale, “is her consistency to deliver excellent vocals, take after take.”

 

When discussing weather or not to add light percussion to Little Bird, Dale found that he had misplaced his egg shaker. “None of us had one or knew where to find one at such short notice,” says Jayneen, “Somebody jokingly suggested we use and actual saltshaker, and at first we all laughed at the idea, but upon hearing the final recording we all agreed that a shaker would definitely add another layer to the song. So we tried salt and sugarella – and they worked! I think a combination of the two was used in the final mix. We literally added a bit of seasoning to the song.”

 

The next song, entitled You’re Special, was a delight to record. Jayneen took the opportunity to explore and add more, changing from guitar to ukulele and added bass riffs and rhythm, “to bring out the joy a little more.” This song was also entered into the Manifest Psalter Music competition, and Dale had much difficulty deciding which song should win. “Both songs have equal merits in different areas,” says Dale.

 

“The end result is a song that I feel really embodies the lyrical message. You’re Special is a celebration, it’s a reminder of the value that God sees in us – His creation – and the awesome love He has for us all. If that realisation doesn’t make you want to get up and rejoice, I don’t know what will!” says Jayneen.

 

Tapestry is the last song recorded, unheard at Manifest, and according to Jayneen, was a great success in the recording studio. “It was recorded in one take! We didn’t add any other instruments to Tapestry; it’s just one voice and guitar. It came out with such a clear and simple sound that we decided to just leave it the way it is.” When she listened to the finalised recording, she felt deeply moved by the message of the song.

 

The first to the third of July marks Jayneen’s first experience in a professional studio setting, and despite her previous inexperience Dale says, “She handled herself like a seasoned pro in the studio. Her music is obviously spiritually driven with a strong message of God’s love. She has a way of delivering her message that feels fresh, very personable and intimate, it really draws the listener in, I think.”

 

“I absolutely loved the experience,” says Jayneen, “It was definitely a steep learning curve, I was able to grow so much in such a short time, and for that I am beyond grateful. We laughed, we prayed, we created, we experimented, we brainstormed, we drank herbal tea (perpetually), and most importantly, we made a joyful noise unto the Lord.”

 

The three songs are under consideration to become an EP. Jayneen’s songs should be released in the coming weeks, so keep an ear to the ground – or an open tab on the Psalter Music web-site, www.psaltermusic.com – to support and share Jayneen and her message of God’s love and joy to the world.

Snapper takes us inside his head and camera

Friday, July 25, 2014
God Is Able

Karl Lindsay won the Avondale Fine Arts Photography Competition at Manifest this year with this photograph.

Karl Lindsay took this Manifest Creative Arts Festival-winning photograph in the Eastern Province capital of Mambwe, Zambia, in 2013.

Judge Aaron Bellette, a lecturer in photo media at Avondale College of Higher Education, described God Is Able as having “layers of meanings and elements for the viewer to explore.”

So, what’s the story behind the photograph?

“I first saw the shop the day before shooting the photograph,” says Karl, who entered the Avondale Fine Arts Photography competition at Manifest this year. “I thought, That would look awesome under a starry night sky.”

Fortunately, starry night skies are common in Zambia and Karl got his shot.

“It makes the perfect statement,” he says.

Karl used a Nikon D600 with a 14-millimetre lens and a 30-second exposure to capture the stars and the Milky Way.—Brenton Stacey, co-convenor, Manifest Creative Arts Festival

The miracle of art

Thursday, January 2, 2014

A call for Adventist artists to stay the course

Dr Robert Wolfgramm

Wolfgramm, Robert 75 pxIf a miracle is a surprising, unique event, the truth of which causes us to wonder, and whose effect is permanent, positive change, then every work of art is a miracle.

What surprises us about miracles and causes us to wonder is summarised in the attitude of those who asked 2000 years ago, “Can anything good come from Nazareth?” (John 1:46, NLT). No one expected anything from Nazareth because Nazareth is us. The question is really asking, “Can our humanity produce anything worthwhile, something true, something that causes us to wonder, something with permanently positive consequences?”

And the surprising answer is, “Yes.”

We—Nazareth—have produced one, and only one, surprising, unique, wonderful truth-event in history. The miracle that is Jesus Christ came from us—as much as from heaven. He is the Son of Man as much as He is the Son of God. And every work of art that came before and comes after Him is a miracle, too—a dull reflection of that Work of Art, yes, but one that, like John the Baptist, “testif[ies] to the truth” (John 18:37, NLT) in its uniqueness, its wonder and its positive impact.

The truth of God may be found in biology, chemistry, geology, mathematics, physics, psychology and sociology. It may also be found in a cantata, a cartoon, a colour, a film, a play, a poem and a shape. Whatever the medium, the artist is called to represent truth because “His word burns in my heart like a fire” (Jeremiah 20:9, NLT) and we cannot hold it back.

My advice to my fellow Seventh-day Adventist artists: stay the course. Your art is always prophetic. It teaches us something by posing an unexpected vision from the unknown world of your imagination. “Now I will prophesy again,” says Isaiah. “I will tell you the future before it happens.”

That holds true for miracles, and for art.

Robert received the Gabe Reynaud Award at the Manifest Creative Arts Festival in 2012.

Walk the Road to Bethlehem this year

Friday, November 29, 2013

Georgina Hobson
Assistant convenor
Manifest Creative Arts Festival

The nativity scene, complete with real baby, ends your walk on the Road to Bethlehem. Credit: Ormond Howard.

The nativity scene, complete with real baby, ends your walk on the Road to Bethlehem.
Credit: Ormond Howard.

In March this year, Road to Bethlehem was the recipient of the Gabe Reynaud Award at the Manifest Creative Arts Festival, which recognises excellence in using the creative arts for ministry. This month, as the Christmas season comes alive in our communities, we again highlight this series of events by inviting you to engage with Road to Bethlehem.

Now in its 19th year, Road to Bethlehem began in 1995 as a ministry of Nunawading Seventh-day Adventist Church in Victoria. Twenty people volunteered to stage the event, which attracted a crowd of 700 over two nights. As a testimony to its powerful ministry and inspiration to share the true Christmas story from the Bible, there are now six sites across Australia and New Zealand conducting the theatrical presentations. This includes; Livingstone, Western Australia, Nunawading, Victoria, Erina, New South Wales, Dakabin, Queensland and Tauranga and Christchurch in New Zealand. Admission to each performance is free, making it a yearly gift to the community in which it operates.

This season, we ask you to consider how you might actively support this powerful and creative ministry through several avenues available to you.

Attend
If there is a site close to you, then go along and experience the event and connect with the Christmas story in a dynamic way. Due to the popularity of many sites, you may need to pre-book your tickets (either online or by phone).

Volunteer
Some sites are still calling for assistance with staging the event through volunteering of time and skills. Contact the organisers to see how you could help contribute.

Donate
While attendance is free, donations are gratefully accepted to assist in the cost of staging the events.

Spread the word
Share and invite neighbours, friends and family; Like your local event on Facebook; promote the events through your local church.

Pray
Submit to God the logistics, the hardworking volunteers and the people who attend so that the Good News of Christmas may spread further out into our communities, impacting lives for eternity.

For more information and details of tickets, volunteers and finding your local site, visit www.roadtobethlehem.org

Creativity and Christianity

Wednesday, February 27, 2013

Manifest award winners on how the arts influences their faith

Anna Beaden (young achiever), Josh Bolst (filmmaking), Nathan Dalton (filmmaking), Shelley Poole (fine arts) and Sara Thompson (writing) were among the winners of the Manifest Creative Arts Festival competitions in 2012. The festival returns this year—entries in each of the six competitions close March 8, 2013. Looking for inspiration? The five explain the relationship between their craft and their faith.

These colours run

Friday, November 30, 2012

It’s about life and goodness

Nathan Brown
Book editor
Signs Publishing Company

Some of the 12,500 people who joined the first Color Run in Australia. Credit: Nathan Brown.

The clouds of colour billowing around the kilometre markers contrast to the grey clouds of the overcast sky. The 12,500 people in their pristine white T-shirts have waited patiently in a cool morning breeze for the opportunity to walk or run the five kilometres—a “fun run” much more focussed on “fun” than “run.”

It’s the first instalment of The Color Run in Australia, November 25 at Melbourne’s Flemington Racecourse. Billed as “the happiest 5k on the planet,” The Color Run draws from the colourful tradition of Holi, the Indian spring festival drawing on some of the stories of Hindu mythology but focussed on celebrating the new life and colour of the season.

In its Color Run celebration, the event involves the powdered colour and music but also raises money for charity from the entry fees paid. Yet more than Hindu tradition and more than charitable donations, The Color Run is primarily good, healthy fun.

At the after-party, where the finishing runners were issued with bags of coloured cornflour and gathered for countdowns for regular “colour throws,” I climbed to a nearby rise to take some photos across the powder-doused crowd. Other people were sharing this vantage point and I overheard a conversation among a group of middle-aged participants, celebrating the life, energy, colour and fun in the mostly young crowd below them—“and all this without any alcohol,” they commented.

In suburban Melbourne, there is no reason for an event such as this. If it had not happened on this Sunday morning, everyone would have had other things to do. It does not fit with any of our cultural traditions. Of course, there are sponsors who see it as good for their brand but they usually come later. But why do so many people join in with the offer of simple active fun?

First, someone created something—not a work of art as we usually understand it but a creative and engaging event. And second, it was engaging because it gave us the opportunity to create and participate in something—a colourful, energetic, happy community, albeit temporary.

As the coloured powder drifts across the crowd and the music has the crowd singing and jumping along, the colour—the raw material for beautiful acts of creativity—acts as something that draws people together. We take each other’s photos. We laugh at our healthy sillinesses and at each other—in good ways.

There is nothing too profound but somehow it’s about life and goodness.

And colour is our excuse.

 

Winkler writes

Friday, November 2, 2012

Manifest alumna publishes first novel

Melanie Carter Winkler has become a published author with the self-published first novel, Rosewood. Based in Perth, Western Australia, Melanie attended Manifest in 2011 and in 2012 and can now share her success with those in the creative arts festival community. She talks about the novel in this q’n’a.

When did you decide to become a novelist?
Mum sent me a book, which I loved reading so much I explored the author’s website. The author explained in some detail what a proposal and a synopsis were. That got me thinking maybe I could write a book. I’d read enough to know I had some stories to tell.

How long have you been writing Rosewood?
Rosewood’s been a long time coming. I started more than five years ago but found it difficult deciding where I wanted it to go. I realised after listening to Kay Rizzo [one of the speakers at Manifest in 2011] that I had to finish what I’d started, so I gave myself a deadline.

What writing challenges did you face?
I knew my characters would be going to church on Saturday—in almost every inspirational romance I’ve read, they go to church on Sunday. I didn’t want to get into a deep theological discussion about it, so I didn’t make the Sabbath an issue, but I was concerned about how readers would respond to that. Then I read a review of the book on Amazon, which allayed the concern.

What have you learned in the self-publishing process?
You’re your own editor, so you’ve got to find and fix your own mistakes. And getting your book out there and encouraging people want to buy it is hard work.

You’ve been to all the previous Manifests. How has the festival contributed to your creative experience?
Kay Rizzo help me a lot. She’s primarily a fiction writer, and she’s a Seventh-day Adventist, so hearing her talk about her work was encouraging. I’ve also enjoyed networking with other writers and with people who don’t think you’re weird when you say you’re a writer.

Rosewood is available as a paperback or an e-book on Amazon or as an e-book on Smashwords.

Anna’s optimism

Thursday, November 1, 2012

Manifest winner on finding value in Christ

Josh Dye/Sofia Ruiz
Public relations intern/Bachelor of Arts student
Avondale College of Higher Education
Cooranbong, New South Wales, Australia

Young Achiever Prize winner Anna Beaden. Credit: Colin Chuang.

Her booming voice is unmistakable—the excitable Anna Beaden, wearing odd thongs, wanders over. We talk swimming, celery, mathematics and toenails. This is classic Anna. We eventually move on to something more meaningful: the Manifest Creative Arts Festival.

Winning a prize at the festival this year surprised Anna Beaden: she entered a “dodgy” recording in the song composing competition on the closing day.

Anna, a “laid back” arts and teaching student at Avondale College of Higher Education, received a $500 discount off her fees for winning the Young Achiever Prize. Not a bad result. “I wasn’t going to participate,” says Anna, 18. However, she asked God for inspiration. “If You help me finish it, then I’ll submit it,” she remembers praying.

The song, “God Chose You,” is available on the Manifest website. When you hear it, you begin to understand why it may have won.

You won the Avondale Young Achiever Prize for “God Chose You” at Manifest earlier this year. What’s the song about?
I’m passionate about people feeling accepted, feeling comfortable in their own skin. Being the youngest child, I’ve never really struggled with confidence.

That’s fairly clear! Tell me more.
I want people to realise God created each of us differently, and I want people to embrace that. Satan tries to make us feel worthless and that’s reflected in the opening lines of the song: “Stop, who do you think you are? You don’t belong here . . . you’re not worth it, you’ll never make it.” But Jesus died for each of us—He chose us—so I turned it from a negative message into a positive one: “Listen closely now, you were made for much more . . . don’t give in to all the voices, don’t give in to all the lies.” Instead of dwelling on negativity, accept who you are and spend your time doing worthwhile things.

So, the song is about identity?
Encouraging people to find their identity, their worth, their value in Christ, and then going and living that and letting that change your life. The last couple of lines sum it up: “Go and live like this is true, like the Creator of the world chose you.”

What is it about your music that brings you closer to God?
I love how you can just make it up—improvise, be spontaneous. There’s so much potential to be creative and to express yourself.

Manifest celebrates and encourages the production of creative arts for ministry. It is coordinated by the Seventh-day Adventist Church in the South Pacific through the Adventist Media Network and Avondale. The entities are offering $4000 in cash for original creative pieces in filmmaking, fine arts, song composing and writing. Entrants can win up to $1000 in each of five competitions. The competitions close on March 8 next year.

Anna Beaden

Nickname: Egg
Likes: Mathematics, hedges, talking to others
Dislikes: Pessimism, being run over (ask Anna’s sister)
Wants to improve at: Swimming
Hidden talent: Occasional tin whistler
I know nothing about: Politics
Fun fact: Making pesto in a mortar and pestle “fills my soul with joy”