Posts Tagged ‘Robert Wolfgramm’

The miracle of art

Thursday, January 2, 2014

A call for Adventist artists to stay the course

Dr Robert Wolfgramm

Wolfgramm, Robert 75 pxIf a miracle is a surprising, unique event, the truth of which causes us to wonder, and whose effect is permanent, positive change, then every work of art is a miracle.

What surprises us about miracles and causes us to wonder is summarised in the attitude of those who asked 2000 years ago, “Can anything good come from Nazareth?” (John 1:46, NLT). No one expected anything from Nazareth because Nazareth is us. The question is really asking, “Can our humanity produce anything worthwhile, something true, something that causes us to wonder, something with permanently positive consequences?”

And the surprising answer is, “Yes.”

We—Nazareth—have produced one, and only one, surprising, unique, wonderful truth-event in history. The miracle that is Jesus Christ came from us—as much as from heaven. He is the Son of Man as much as He is the Son of God. And every work of art that came before and comes after Him is a miracle, too—a dull reflection of that Work of Art, yes, but one that, like John the Baptist, “testif[ies] to the truth” (John 18:37, NLT) in its uniqueness, its wonder and its positive impact.

The truth of God may be found in biology, chemistry, geology, mathematics, physics, psychology and sociology. It may also be found in a cantata, a cartoon, a colour, a film, a play, a poem and a shape. Whatever the medium, the artist is called to represent truth because “His word burns in my heart like a fire” (Jeremiah 20:9, NLT) and we cannot hold it back.

My advice to my fellow Seventh-day Adventist artists: stay the course. Your art is always prophetic. It teaches us something by posing an unexpected vision from the unknown world of your imagination. “Now I will prophesy again,” says Isaiah. “I will tell you the future before it happens.”

That holds true for miracles, and for art.

Robert received the Gabe Reynaud Award at the Manifest Creative Arts Festival in 2012.

Pioneering album still provocative

Friday, December 27, 2013

Refugee

Robert Wolfgramm

Sara Thompson

Refugee 75 pxRemember the birth of contemporary Christian music in the 1970s? Neither do I. That was—dare I say it—decades before my time and CCM is now an industry that has changed dramatically in the years since. Or so I thought, until I listened to Robert Wolfgramm’s Refugee, remastered and re-released by Psalter Music.

The 11 songs on Refugee are an intriguing mix of blues, folk and rock, merged with gospel-based lyrics. The songs are iconic of the time, and like the rest of Bob’s music, the album is well loved and well produced.

From the catchy title track to the last strains of “Bring Back the Good News,” it’s clear why Refugee is a pioneering album. But what I found most surprising is just how relevant it still is—36 years later. This album is far more than just electric guitar riffs and talented keyboarding.

“Good Samaritans” likens the people around us to refugees drowning in our indifference and asks whether we’re doing “far too little, much too late.” Thought-provoking lyrics such as this make Refugee an album worthy of listening . . . again.

Sara graduated with distinction from Avondale College of Higher Education’s Bachelor of Arts degree in 2013. 

Bula Bob

Friday, April 27, 2012

Composer honoured

Brenton Stacey
Public relations officer
Avondale College of Higher Education
Cooranbong, New South Wales, Australia

An “enigmatic” academic, composer and writer from Fiji is the recipient of the Manifest Creative Arts Festival’s most prestigious award this year.

Gabe Reynaud Award recipient Robert Wolfgramm. Credit: Jordan Lee.

Dr Robert Wolfgramm will receive the Gabe Reynaud Award during a ceremony also named in honour of the pioneering Seventh-day Adventist filmmaker. The award recognises excellence in using the creative arts for ministry.

Robert is editor-in-chief of the Fiji Daily Post and of the New Fijian Translation Bible. The former lecturer in the School of Political and Social Inquiry at Monash University wrote a “Trends” column for the magazine, Signs of the Times (2001-2007), winning an Australasian Religious Press Association award for “Item or feature that shows most originality” in 2002 for his “Letter from the future” (published in June 2001). Then editor Dr Bruce Manners describes the column as a “creative, popular and, often, challenging read” and Robert as “demonstrating a heart for social justice.”

Robert’s music, most of which he wrote, recorded and performed during the counterculture movement, also challenged. He co-wrote, mostly with Lowell Tarling, three musicals, Apocalypse Rider (1999, 2000), Persecution Games (1985) and Threedom (1971-1972), and pioneered in Melbourne what is now contemporary Christian music, co-founding Galilee Records (1977). The label’s three albums, composed mostly of songs written by Robert and Lowell, were “influential,” says Associate Professor Daniel Reynaud, dean of the Faculty of Arts and Theology at Avondale College of Higher Education. “Contemporary Christian music existed, but it was produced in other countries by other people. Bob brought it home.” And gave it depth.

“He’d grown up in a legalistic culture but discovered [partly through the influence of those he met at Avondale, where Robert studied teaching and theology] the freedom of the gospel,” says Daniel. “He used culturally relevant forms to communicate this liberating truth.”